In 1970s India, Sardar Khan vows to take revenge on the man who killed his father decades earlier.

An extensive, in-depth account of the making of an ultimate revenge saga through the eyes of Anurag Kashyap, the cast and the crew of "Gangs of Wasseypur".

The story of the bloody confrontation between the new Chief of Criminal Police, a former local thief nicknamed the 'Ace', and a ruthless gangster, 'Mednik' is dramatic, very human and very deep. The audience watches in awe the transformation of an inexperienced strong-headed bully into a deeply caring, strategically thinking chief investigator and a team leader. His criminal past allows Ace to successfully navigate through the gang wars eliminating outlaws one after another, until he runs into Mednik who escapes from all traps leaving pile of corpses behind. The conspiracy to overturn the Bolsheviks' regime culminates the last episodes and it's impossible to guess what will happen next. It's a well-written, well-directed and well-acted series with the kind of picture so engaging and immersing that the audience really feels lost when it's over.

When the head of a criminal organisation, Finn Wallace is assassinated, the sudden power vacuum his death creates threatens the fragile peace between the intricate web of gangs operating on the streets of the city. Now it’s up to the grieving, volatile and impulsive Sean Wallace to restore control and find those responsible for killing his father.

Policeman Moaz Ibrahim is forced into living a dangerous double life with the criminal gang Enemiez as an attempt to keep his shady past hidden from the outside world.

A man journeys from rags to riches with absolute grit and determination in the Eluru and Godavari coastal regions of India.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Devara, a fearless man from a coastal region, embarks on a perilous journey into the treacherous world of the sea to safeguard the lives of his people. Unbeknownst to him, his brother Bhaira is plotting a conspiracy against him. As events unfold, Devara passes on his legacy to his mild-mannered and timid son, Varada.

One couple hardly have anything to say to each other; the couple from beyond the wall, however, cannot keep anything to themselves. Two diametrically different worlds co-exist, separated by a thin wall.

Double projection with two 16mm projectors. The images begin with two parallel screens. They consist of fragments of light flashing like bursts in the darkness. As the process progresses, each projector moves simultaneously and overlaps. The sound actively utilises optical sound. In the latter part, Lee Minhwi's "The Light of Silence" is inserted.